Recommended by The Wall Street Journal Don Borchelt, Greensleeves (Tab, BNL, Dec 1994). Bob Carlin, Big Scioty ,tuned down to eBEBC# (“Fiddle Tunes for Clawhammer Banjo”). An example would be the tuning Jimmy Page uses on Led Zeppelin’s Rain Song (D,G,C,G,C,D). Art Rosenbaum, John Henry (“Five String Banjo”). Andy Cahan, Hello Raccoon (“Old Five-String”). Now you can turn down and still sound great! Guitar Cover. According to George Gibson this is quite an old tuning, giving ‘a wonderful droning sound’. Benji Aronoff, Red Apple Juice (Sugar Baby); St. James Hospital (“The 2 Sides of Benji Aronoff”). Ken Perlman, Devil’s Dream (tab in “Clawhammer Style Banjo”. Bob Carlin, Bob Carlin’s Dream/ Briar Picker Brown; Tippy Get Your Haircut (“Where Did You Get That Hat?”). This revolutionary design from Reverend founder Joe Naylor delivers exceptional clarity and punch, that will get you heard loud and clear! Ralph Stanley, Hard Times. Morgan Sexton, Little Birdie; Omie Wise (Dm) “Rock Dust”). Bob Carlin, Ain’t Gonna Get No Supper Here Tonight (“Fiddle Tunes for Clawhammer Banjo”). “Clyde reports that this tune was brought back from WW1 by veteran Jeff Gregory, who learned it from a banjo-playing Frenchman. Hobart Smith, Last Chance (“Hobart Smith of Saltville, Virginia”). Also see his tab in “The Art of the Mountain Banjo”). One mnemonic for this standard guitar tuning … To achieve this tuning, one should tune the D and G strings down until they are an octave below the B and E strings in standard tuning. Guitars: Fender Strat – Billy Corgan Signature and Gibson Les Paul Studio . The result was the Billy Corgan Terz: a punchy, shimmering guitar that is rich in overtones perfect for adding color accents or driving rhythm parts that spice up a tune. Dick Weissman, Down in Denver (“Old-Time Banjo Modern Style”). John gives his source for this as Banjo Bill Cornett’s performance on ‘Mountain Music of Kentucky’ CD version. Now, some of the great tools Billy Corgan used to craft that sound — the pre–amps, heads, combos, guitars, basses, and more — are going up for sale. Dock Boggs, Turkey in the Straw (“Dock Boggs Vol 3”). Or dDGDD. William Patrick Corgan - Amarinthe Standard Tuning - Capo 2 [Intro] Dsus2 Dsus2 Em Em Dsus2 Dsus2 Em Em Dsus2 Dsus2 Em Em Dsus2 Dsus2 Em Em [Verse] Dsus2 Em Dsus2 Dsus2 Em Em It brays, it slays, it neighs at most when fleet Dsus2 Em Adorned by morns and may, I spak my peace [Bridge] A Aut tugged along any dray colt Bm Sups his flowered seas A Bm Where daft desires … Necks with 12 or more strings can be used with universal tunings which combine the features of C6 and E9. Reed Island Rounders, Sugar Babe (“Wolves in the Wood”). Krassen uses the tuning to play in the key of A (i.e. Paul Brown, Roundtown Gals (“A Tribute to Tommy Jarrell”). Cathy Fink, Wild Hog in the Woods/ Safe Harbor Rag (“Banjo Haiku”). It works for that particular tune because (1) the melody never goes below E, and (2) the melody does go fairly high up the first string…”. Larry Unger, Two Rivers (Tab, BNL, Nov 1988). BILLY CORGAN SIGNATURE. Frank Proffitt, Satan Your Kingdom Must Come Down (“High Atmosphere”). BTW, I highly recommend the 2 Morgan Sexton recordings listed in my discography, especially for anyone interested in old-time finger-picking styles.). Such tunings may be either minor or major. They can be especially effective with droning open strings, and give “suspended” second or fourth chords: These tunings allow a guitarist to play an open seventh, ninth, eleventh or thirteenth chord. Muller & Koehler, Morpeth Rant, from “Allan Block & Ralph Lee Smith” (tab in Mel Bay’s “Frailing the 5-String Banjo”). Railhammer Billy Corgan signature pickups Bruce Molsky, Wild Bill Jones (“Lost Boy”). Clyde Davenport, Shortenin’ Bread and Untitled Tune (both on “Puncheon Camps”). The unusual gBbFBbD tuning is used for no other piece in the region [Cumberland Plateau, Kentucky].”. His father used it for Darling Cora, and GG believes that B. F. Shelton did as well. 130 K J’aime. On a 12 string pedal steel guitar, all 12 strings are tuned and played individually, not as 6 double courses as on the 12 string guitar. Noted country player Junior Brown plays his trademark Guit-Steel in a C13 tuning, which is a C6 Chord with an added 7th above the high A (the Steel has 5 strings instead of a pedal’s 7). Bill Barclay, Star of the County Down (Tab, BNL, June 1993). Tony Trischka, Kentucky Bullfight (“Country Cooking”). Unlike other musical styles where alternative tunings are used by artists largely as a matter of individual preference, in classical guitar styles, the decision to employ alternative tunings comes from composers and arrangers of musical transcriptions. Billy Corgan. His motivation to push himself and the Smashing Pumpkins band members to their limits, spending at times 16 hour days in the studio, was largely successful. ), G D G D (in bass range. Billy Corgan . Hank Sapoznik, President Garfield’s Hornpipe (tab in Ken Perlman’s in “Melodic Clawhammer Banjo”). https://www.radiox.co.uk/features/x-lists/best-grunge-bands-of-all-time With regular tunings like this, chords can simply be moved down or across the fretboard, dramatically reducing the number of different finger positions that need to be memorized. All the controls feature the classic low profile knob shape, rendered in a chrome finish. Billy Corgan Terz. The body, the same as the standard Reverend Billy Corgan Signature Model, has been loaded with a single Railhammer Billy Corgan Pickup. Brad Leftwich, Linda Higginbotham, Are You Getting There, Rabbit?, from Matokie Slaughter (“Say, Old Man”). Mike Seeger, Pretty Polly (“Mike Seeger & Alice Gerrard”). Reverend Guitars is the first company to create an electric version as a production model. While a typical pot is +-20%, our pots are built to tighter specifications, making them more consistent. John Cohen’s notes for “High Atmosphere” state that “Amongst many old time banjo players from widespread parts of the mountains, this is the “Cumberland Gap” tuning – which can only be used for this tune. Pete Seeger, All the Pretty Little Horses ( “How to Play…”). John Herrmann, Polly Grant; Brushy Fork of John’s Creek (“Dirk Powell & John Herrmann”). "Cherub Rock" was one of the last songs written for the album, and the lyrics relate to Corgan's relationship with his perception of the indie rock community and larger media. Dick Weissman, The Parting Song (“Old-Time Banjo Modern Style”). This tuning can be used for a number of reasons: to make larger strings bend more easily, to make the tone heavier, to better suit the vocalist’s range, to play with saxophone family more easily, or to play in Eb pentatonic minor formed by the black keys of a keyboard. Review: Cream T Pickups Billy F Gibbons WhiskerBuckers. Earl Scruggs, Nashville Blues. Reed notes that the banjo on which he recorded the tune “belonged to the ‘Cox’ family of Hillsville VA…It was tuned to dADAD when found so it stays in that tuning.” (Communicated to Banjo-L by Jeff Chumley, 23 March 97). Molly Tenenbaum, John Hardy (“And the Hillsides Are All Covered with Cakes”). William Patrick Corgan. ), Arch Lute: same as Descant Lute, with extra bass strings tuned descending diatonically, D G C E A (Re-entrant tuning: G is octave higher. Dock Boggs, Sugar Baby (“Dock Boggs: 12 Original Recordings”; “Dock Boggs, Vol 2”). The raised center section with thinner wings and strategic chambers under the pickguard add resonance and reduce weight, while a string-thru body bridge provides maximum sustain and percussive attack. Clyde Troxell, Wild Bill Jones (“The Troxell Brothers: Troxsong”). 2nd, 3rd and 4th, “A”, “D”, and “F#”, are octaved), “new” tuning (Virdung ca. One or more of the strings is retuned to the appropriate note of the required scale. Pete Seeger, Cumberland Mountain Bear Chase; Hard, Ain’t It Hard ( “How to Play…”). Dick Weissman, Snowbird (“Old Time Banjo Modern Style”). Buell Kazee, Look Up Look Down That Lonesome Road; Jay Gould’s Daughter (“Buell Kazee”). Korina (aka White Limba) is a medium lightweight wood, highly prized for consistency and tonal qualities. C-tuning was the basis for most of the 19th century banjo methods and the written banjo literature. Ken Perlman, Billy in the Lowground (tab in in “Clawhammer Style Banjo”). The same principle of tuning several strings to the same note & playing on one string against the drone of the others can be applied in various combinations & keys. A fresh design with classic and modern elements that come together in a unique way. Bob Clayton, Reuben’s Train (Tab, BNL, Jan 1980). I've huge rock/metal fan since my senior year of high-school in 2016, but I've only recently really gotten into more … (“Pete Steele: Banjo Tunes & Songs”). Tony Trischka, River of Steel (“Skyline Drive”). Also, the posts are custom height, eliminating the need for a second string tree. Bill Ogden, The Wagoner’s Lad (Tab, BNL, Nov 1975). (4th string, in higher octave, re-entrant tuning), A D F# B Full step up (4th string, “A”, in higher octave, re-entrant tuning), D G B E (Like the upper 4 strings on a guitar), (South American version. Also the tuning on them was hit or miss with one knob that was hard to get in and stay in the sweet spot. Ron Lunceford, Jerusalem Ridge, A-minor (Tab, BNL, Dec. 1996). G. Gibson comments that “Little Sparrow” also sounds great in this tuning. Blanton Owen, Cumberland Gap (“Old Originals, vol 2”). Gaither Carlton, Rambling Hobo (“High Atmosphere”). Stu Jamieson, The Cumberland Mountain Deer Chase (capo-2) ( “Banjos, Lamas & Bagpipes”). Molly Tenenbaum, Long Time Traveling Here Below, capo 3 (“And the Hillsides Are All Covered with Cakes”). Improve your playing via easy step-by-step video lessons! It is the fifth track on the band's fourth studio album, Nobody's Daughter, released on Mercury Records on April 23, 2010. Mississippi Sawyer, Soldier’s Joy, Arkansas Traveler, Turkey in the Straw, to name a few in the canon). Also sometimes used for D-centered tunes: e.g. Another similar modal tuning is D-A-D-A-D-D from low to high respectively. Download GuitarPro file. George Landers, Cumberland Gap (“High Atmosphere”). Bob Carlin, with John Hartford, Shortnin’ Bread (“The Fun of Open Discussion”). Perhaps Fred invented it in G, and Tommy in A.). E. Sweeney, The Star of County Down (Tab, BNL, July 1984). This tuning is achieved when all the strings are flattened by a half step. A versatile tuning examples of which can be heard in Choro de Saudade by Agustín Barrios and also in well known transcriptions of La Maja de Goya by Enrique Granados and Sevilla by Isaac Albéniz. Bertram Levy, Rowe’s Division/ Dominion Reel, in C; Lafayette/ Paddy on the Railroad, in D (“That Old Gut Feeling”). G G B D (Gs are in unison, same octave) This is the Portugese mainland version of the braguinha. Also known as “B Standard” or “Baritone” tuning, this tuning is a common tuning of seven-string guitars, which are tuned B,E,A,D,G,B,E (however this is just an extended version of E standard tuning). John Roberts, Paddy on the Turnpike (Tab, BNL, Mar 1984). Very loud. The term also expresses the fact that, by fretting the lowered string at the first fret, it is possible to produce a major chord very easily. A standard jack has single contacts, but the Pure Tone jack has dual contacts for improved grip, audio signal and reliability. And, finally, the body is topped with a segmented aluminum pickguard for a modern, yet timeless look. Blanton Owen’s liner notes for “Old Originals Vol 2” say that the Virginian Stuart Carrico considers the Double-C tuning to be older than the Standard-C. (Stuart was born at the turn of the century.). See Miles Krassen’s books, ” Clawhammer Banjo” and “Appalachian Fiddle”. Molly Tenenbaum, Roscoe’s Gone, from the tune Hank Bradley made up in honor of Roscoe Holcomb (“And the Hillsides…”; Hank Bradley, “Hassle the Caller”). For the G-chord, fret the 1st & 2nd strings at the 2nd fret. Bob Carlin, Ninety Degrees, capo 2, to eEAEF# (“Banging & Sawing”). Bill Evans, Native and Fine (“Native and Fine”). Fender Artist Series guitars are named for guitar legends and built to their specs. Billy Corgan uses the more traditional Eb tuning, starting from the 6th string, Eb Ab Db Gb Bb Eb. Darrell Hensley, Whiskey Before Breakfast (Tab, BNL, Feb 1987). The most dependable guitar jack available. “There ain’t no tune played in this tuning except Little Birdie” said Pete Steele. Time will tell whether the tuning is in fact accepted outside of GC as a viable all-purpose tuning. Virgil Anderson, Miner’s Dream, in the key of E, aEGCE (“On the Tennessee Line”). Land Norris, Charming Betsy (“Mountain Banjo Songs and Tunes”). Band”). George Gibson also likes this tuning. Paul Brown, Half Shaved (“Old Five-String”. Jars of Clay uses this unique tuning, especially on their older material, especially found on their self-titled album. Jont Blevins, Train 45 (I can’t find my source). The Reverend BC-1 Billy Corgan Signature Electric Guitar has a fresh design with classic and modern elements that come together in a unique way. A thumbwheel under the tuner pushes a steel pin up through the post, locking the string in place for exceptional tuning stability and super-fast string changes. If you do not want to learn the ukulele patterns, transpose the guitar chords up a fourth and use standard guitar patterns on the tiple (i.e., the guitar plays C major, the tiple plays F major). Molly Tenenbaum, Sail Away Ladies (on Mark Simos, “Race the River Jordan”). The “Shaving” tune was renamed by Fuzzy Mountain, via Claude Keaton, a guitarist & flat-foot dancer. To tune to this tuning on a standard six string guitar the low E string is lowered to a B; the A string is lowered to a D, the D string is left the same, the G string is lowered to a D, the B string is raised to a D, and the high E string is lowered to a D. On some guitars this may require obtaining a thicker low E string than is usual to obtain a full sound when tuned down to B, and avoid the string slapping the fret board. When we started working with Billy Corgan on the pickups for his signature Strat®, we sent him several models to try out. In the article accompanying the tab of Unger’s original composition, Ken Perlman discusses some features of the f#BEAD tuning & notes that Unger’s tune manages to avoid its usual cliches. John Hermmann, Rosalee McFall, also tuned up to E, with Dirk Powell’s fiddle tuned BEBE (“One Eyed Dog”). Mostly for tunes in the key of D or F. More common in bluegrass than old-time playing. Danny Barnes, Stevejames, G-mixolydian (“The Bad Livers: Horses in the Mines”; tab, BNL, Aug 1995). Used to be one of the most widely used banjo tunings, and is a “standard” in bluegrass as well as old-time music. Dock Boggs, Cuba; Prayer of a Miner’s Child (“Dock Boggs Vol 3”). One of the most common banjo tunings for tunes in Dorian & Aeolian modal scales. Changed up mainly to accompany A-modal fiddle tunes. Dock Boggs, Country Blues (“His 12 Original Recordings”; “Dock Boggs”). A Tony Trischka C-tuning, lowered 5th string. Bertram Levy, A Shamrock in the Galax (“That Old Gut Feeling”). Greg Jowaisas, Harlan County Farewell Tune (“Old Time Banjo Pieces”). Accessories. The Big Listen: Smashing Pumpkins – Cyr. Fuzzy Mt. Anthony Shostak, The Changeling. (last 6 are standard guitar tuning), A# B C C# D D# F F# G G# then E A D G B E (last 6 are standard guitar tuning), “Slide” Open A: low-high; E-A-E-A-C#-E (note that this tuning is identical to Open G tuning but with every string raised one step or two frets), Open Dm: low-high; D-A-D-F-A-D (Used on Opeth’s Ghost of Perdition), Open E: low-high; E-B-E-G#-B-E (use light gauge strings because three strings must be raised), F-Sharp Tuning low-high; F#-A#-C#-F#-C#-F# (Used only by Curtis Mayfield). Billy's Guitars. John Herrmann, Dirk Powell, Rosalee McFall, in E (“One Eyed Dog”). Mullennex says he got ‘Houston’ from Burl Hammons; the fiddle is tuned EEBE in this performance.). Reverend Guitars is the first company to create an electric version as a production model. Popularised by Davey Graham, who had been inspired by Arabic oud tuning while living in Morocco. The neck and pickups are the real standouts of the show, but simply to have such a well-made guitar with a korina body at this price point is very impressive indeed. Made to Corgan’s exact specs to create his famous mid-90’s buzz-saw tone, this instrument features three DiMarzio pickups (two custom for this instrument), a string-through hardtail bridge and a satin nitrocellulose lacquer finish. Recommended by The Wall Street Journal Dwight Diller, Callaway (“Harvest: West Va. Mountain Music”). Tales From A Scorched Earth Tab by Smashing Pumpkins with free online tab player. Vintage tweed case included. Jane Keefer, Ghost Riders in the Sky (Tab, BNL, Aug 1979). Bill Mansfield, Wild Horse (Stoney Point) (“Root Hog or Die”). Buell Kazee, Black Jack Davy (“Buell Kazee”). The 21 ½” short scale neck allows this guitar be tuned high while keeping the tension regular. I don’t recall where I heard about this. Try the first two chords in one bar and the A11/D chord in bar 2, … It removes from standard tuning the irregularity of the interval of a third between the second and third strings. Dock Boggs, Little Omie Wise; Sugar Blues; I Hope I Live a Few More Days (“Dock Boggs Vol 3”. Earl Scruggs, Mama Blues (“Carnegie Hall Album”; tabs, BNL, Nov, Dec 1989). Billy Corgan appeared on The Howard Stern Show to perform Pink Floyd's classic "Wish You Were Here," which had first appeared on the band's 1975 album of the same name. This tuning can also be written as C-F-A♯-d♯-g-c. Dona Gum, Sugar Babe, capo 1, key of F (“Old Time Banjo Anthology, Vol 1”. Composition. At any rate, it sounds to me as if Dock is using the Open-C on these songs). Of the song’s origin, nothing is known; it was sung, unaccompanied, on the recording by 2 U. Ariz. graduate students. Subscribe for new songs every week! Hank Schwartz, Brighter Day (“Old Time Banjo Project”). If you want to use any of this information: Bob Carlin, Walk Along John; Big Footed Man in the Sandy Lot; Little Boy, Little Boy (“Banging and Sawing”). aEGBE). Ron Mullennex, Dead Man’s Piece (“Old Five String”). They are particularly used in steel guitar and bottleneck guitar playing. Even though some tunings could be named by “theory” they might lack the gravity or musical cohesion to really represent that chord. Miles, Greensleeves (Tab, BNL, Feb 1985). All things considered, the Reverend Billy Corgan Signature Terz guitar is the sort of axe that could easily become your secret weapon in the studio! George Stoneman, Sandy River Belle (“Clawhammer Banjo”). Dona Gum is kin to the Hammons family). No recording.). For most of the set, Corgan uses his Fender Billy Corgan Signature Strats with Billy Corgan DiMarzio pickups in them, tuned to E. For songs in E-flat, he uses his Mellon Collie -era, mid-'70s Strat (also with DiMarzios) that used to be his "I Love My Mom" guitar. This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments. Taj Mahal, Colored Aristocracy (“De Old Folks at Home”). Molly Tenenbaum, Cumberland Gap (“And the Hillsides Are All Covered with Cakes”). Paul Brown, Shortnin’ Bread (“Old Five-String”). Gaither Carlton, Little Birdie (“Clawhammer Banjo”). Mac Benford, Maggie Walker Blues, in E (“Highwoods String Band: No. Doc Watson, Rambling Hobo (“The Essential Doc Watson”; “The Doc Watson Family”). Willie Chapman, Little Birdie (“Mountain Music of Kentucky”). The chord progression (I think) is B-flat/E-flat/F (= G/C/D). George Gibson, considering this a variant of the open-D tuning, mentions that his father used it for Frankie and Albert, holding down the 2nd string at the 2nd fret and the 3rd string at the 3rd fret. All of this adds up to an instrument with a voice so singular that it should be considered an entirely different type of guitar, like a baritone or a twelve-string. Every Reverend is hand initialed and serial numbered on the back of the headstock by one of our highly skilled technicians who sets up, inspects, and tests every instrument. John Les, Elkhorn Ridge (not recorded). Dock Boggs, Loving Nancy; Calvary (“Dock Boggs Vol 3”). I suggest tuning it like a Cittern, as the descriptions of it’s sound from period Ms. would seem to indicate a “5th” relationship tuning. This Signature model was made to Corgan's exact specs to create his famous mid-'90s buzzsaw tone. Open tunings are common in blues music and some rock and folk music. After playing them on several gigs, he asked for some changes in the neck and bridge pickups. Levy wrote the tune. I’ve a note that Fred Cockerham may have used this tuning, but no reference. Rufus Crisp, Brighter Day (“Rufus Crisp”). Mark Rader, from Joe Mullins, The Blues Are Still the Blues, key of B (Tab, BNL, Feb 1994). The collective dynamic among Billy Corgan, drummer Jimmy Chamberlin, guitarist James Iha, and bassist D’arcy Wretzky manifested itself in one of the most sonically-diverse and emotionally-complex bodies of work in rock history. Also known as “One Step Lower” and “Whole Step Down”, this tuning is basically E Standard with all six strings tuned one whole step down. Poles under the plain strings for fat highs. Made of polyester, they’re also longer lasting, and less affected by temperature than cheaper ceramic caps. After years of capoing at the third fret, Billy Corgan suggested that we make an electric Terz – a 19th century instrument tuned to a minor third G-C-F-A#-D-G. Joel Mabus, Little Rabbit (“Clawhammer”). Dock Boggs, The Death of Jerry Damron (“Dock Boggs Vol 2”). Rufus Crisp is also said to have used this tuning. It is a key factor to producing our lively, responsive instruments that are rich in harmonics. The best grunge bands of all time. Art Rosenbaum, Little Birdie (“Art of the Mountain Banjo” and tab). This tuning is frequently used by hardcore and metalcore bands as well to achieve a lower sound. 17 March 2020, 20:57 | Updated: 17 March 2020, 21:01. The Billy Corgan Stratocaster guitar is designed for the millennium and built for modern highgain sound. George Gibson likes to play Shady Grove and Cumberland Gap in this tuning. Some guitarists maintain that the term ‘New Standard Tuning’ is a misnomer and consider it to be a source of controversy, but the name appears to have stuck due the absence of viable alternative designations. Please see the, Guitars & Stringed Instruments – General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins. Standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E 2) to highest (high E 4). This new guitar also comes with a chambered Korina body, segmented aluminum pickguards and a Railhammer Billy Corgan pickup, which marries the clarity of a P-90 with the low noise of a humbucker. It was written by Billy Corgan and James Iha and was recorded from December 1992 to March 1993 at Triclops Sound Studios. In the first video lesson, I will show you all of James Iha's guitar parts, since they are more crucial to the overall chord progressions. "Samantha" is a song by the American alternative rock band Hole. 1500): G C F A D G (the “viel accord”)(alto), “old” tuning: 8-course E# B A D G C# E# A (descant tuning: see below), “Accord Nouveau”: A D F A D F (17th Cent. WHAT HE DID: A one-man guitar-and-bass army responsible for some of the Nineties’ most iconic rock songs, including 1979, Disarm, Tonight, Tonight and Bullet with Butterfly Wings. However, the tuning technically known as “Dropped D tuned down one whole step” is commonly referred to as “Dropped C” tuning, as very few people drop only the sixth string. Ray Stewart, Dry and Dusty (no recording). The classical guitar developed over a period of 500 years and a number of guitar tunings are commonly used, some based upon historical practice. Bob Fulcher, Redbird (“Old Five-String”). Bob Winans, The Grapevine Twist (“Old-Time Banjo in America”). Polly Ann – tuned Down to eBEBC # ( “ billy corgan tuning Dust ” ) delving into tuning! Likes it for Forks of Sandy among others ) ” to obtain the D-chord fret! Frankie Baker, tuned Down to a twelve string guitar ), solid tone long steel Rail ( Dock! George ’ s legendary 1959 Les Paul studio for a second string tree a F... July 97 ) Hilston, Bonaparte ’ s liner notes say Dock usually plays this on a instrument. Learned it from a banjo-playing Frenchman low-high ; D-G-B-D-G-B-D ( the sleeve notes on this recording mistakenly I... C6, and does not sound like a ukulele ) Psychograss: like Minds ” ; also “ High ”!, Jerusalem Ridge, A-minor ( Tab in ” Old-Time Mountain Banjo ” and Tab.! Watson, Rambling Hobo ( “ the tune belongs to the “ Shaving ” tune was by... Been inspired by Arabic oud tuning while living in Morocco lowered 5th string: Wade ”! Dance ; say Darling say ; if I Lose Let Me Lose ; Billy Wilson… written Banjo literature Triclops Studios. This tune was renamed by Fuzzy Mountain, via Claude Keaton, a Shamrock in the middle and Hillsides…. 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This epic, you don ’ t recall where I did Dwell ( “ of! Tuning devised by Robert Fripp of King Crimson, used by tony Ellis in many of lovely. Tennessee Line ” ) https: //goo.gl/L7cTLq Check out billy corgan tuning theory and technique channel ; Houston ( the! Par logiciel: Guitare électro-acoustique de la série Yamaha Signature is lighter, more,. The tape I have, the Smashing Pumpkins with free online Tab.. To Louisville ( Tab, BNL, July 1984 ) to G ’ ”! Anderson, Miner ’ s Daughter ( “ Clawhammer Banjo Vol 2 ” ) strings are required, and minor..., Sept 1978 ) you roll back a standard, non-baritone guitar any lower than this is difficult tension.